
In this romantic-comedy starring Ewan McGregor
and Renee Zellweger, Matte World Digital recreated the New York
city of the 1960's with a quirky style borrowed from the Doris
Day and Rock Hudson films of the period. From a reveal of Manhatten
and the United Nations to Grand Central Station and Madison
Avenue, many of the cities most recognizable locations appear
as Hollywood might have made them four decades ago. |
Shot from a crane high above the desert, the Alamo chapel and
the Fort's surrounding walls are all part of a movie set constructed
for this film as the real Alamo exists in downtown San Antonio.
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Emerging from the
computer generated clouds, the city is complete with busy streets,
animated ferry boats, fluttering rooftop flags, air traffic
and even pedestrians walking about in the waterfront park. |
Matte World created
this matte painting illustrating the Pan Am building which once
towered over Grand Central station. Note the unlikely view of
the of the Chrysler tower to the left of the frame, a nod to
the picturesque Hollywood movie making techniques at the time.
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As
we tilt down we see the Grand Central Station's clock with animated
rooftop steam. |
The end of the tilt-down
reveals our main character Barbara (Renee Zellweger) as she
exits Grand Central Station and proceeds to look for a taxi.
Much like the Chrysler tower, artistic license was taken to
alter the architecture and its position as they did in many
of the 1960's Hollywood movies. |
The
plate for Grand Central Station was shot at Universal Studios.
Additional people and a few cars were added digitally to fill
in gaps in the action. |
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